For those of you who don’t follow me on Twitter, I told people there if I got more than 700 followers by the end of the day I’d mark Basic Consultations down to $15 until midnight tonight.
Well the Twitter guys came through so the mark down is in effect. Take advantage of it while it lasts.
Last month I talked about how to wear a blazer with a pair of jeans. There’s a key element in making both a blazer and an actual suit jacket look good that I failed to mention because it deserves its own post – the armholes.
Most men will see that and think I’m being overly picky. Why would something so trivial as the shape and positioning of the armholes make a difference? Check this out.
Now, if you ignore the other factors in these two suits and how the top one fits so much better than the bottom, what’s the biggest difference you see? When Mr Modern Dork Suit lifts his arms the whole body of the jacket moves up with him. His shoulders don’t just dimple, they divot. The lapels spread and the chest pivots around the top button. It looks awful.
This happens because lower armholes have an oval shape and are attached further down the chest than their higher counterparts – which doesn’t allow for any separation of movement and creates the effect you see above. The irony is that lower armholes were created to make it easier and more comfortable for a man to put on and remove his jacket – a process that requires a total of 30 seconds per day. While lower armholes accomplish this goal, they actually make wearing the jacket for the subsequent eight hours much more uncomfortable.
Lower armholes are also cheaper in that they arguably “fit” everyone. It’s less of a risk for these massive, off-the-rack retailers to stock suits that will get around everyone’s arms and sacrifice the look of the jacket.
Unfortunately low armholes are the current industry standard. You go into any department store to try on a suit or sport coat and all you will be able to find (unless you’re willing to drop a couple grand) are low, oval armholes. Thankfully though, a cultural resurgence of quality menswear is happening and more and more companies are starting to take notice. Places like J Crew are offering jackets with higher-than-average armholes to help lessen the disaster above.
The best way to get the ideal armhole position is to go custom. Made-to-measure companies like Suit Supply and Indochino don’t offer armhole choices as part of their ordering process, but they are happy to oblige higher armholes if you stipulate so when placing your order. Custom and bespoke clothiers however will almost exclusively make high armholes because it’s a symbol of their quality and craftsmanship.
The last alternative is the cheapest and easiest for the average man – shop vintage. If you’re lucky enough to find a pre-1960’s jacket in good condition, it’s most likely going to have higher armholes. Unlike waist suppression, sleeve length, sleeve circumference, etc. the position and shape of the armholes on a jacket cannot be altered by a tailor. So it’s better to find a vintage piece that doesn’t fit in alterable areas with high armholes than to find one that fits everywhere else with the lower monstrosities.
PS. I am now selling ad space on the site. If you are interesting, please get in touch via the contact page and I can give you a break down of what the space is and its price.
Within the next couple of weeks here most of us are going to be tempted to start embracing the changing season. Much like the shift of summer to fall, going from winter to spring can be particularly difficult for a lot of men. The reason for this is that both winter and summer are more extreme seasons and transferring from an extreme to something more moderate is easier than vice versa.
The advice that I gave at the end of the summer is akin to the advice for making the transition in the beginning of spring – continue to wear seasonally appropriate materials but embrace the new season’s color palette. Going into autumn that meant warm, earthy tones. For spring it means chalky colors.
Chalkies, dusties, pastels, there are myriad names for these types of colors. Just think of those that are brighter and similar to the natural colors you see around you during spring.
Because chalky colors are so intense, you need to be careful about your contrast type and how intense colors affect it. Men of a stronger contrast can get away with wearing multiple pieces in chalky colors and having them closer to their face. While men with a more muted contrast are better suited to a single statement piece and keeping them in smaller clothing items.
The other way to embrace dusty coloring with your contrast type is by focusing more on the color’s intensity than its brightness. A muted man would look better in a pastel tie that’s a more subtle version of the same color as that pictured above.
Remember that the key to making this look good in transition is to still pair all of these colors with your winter-weight materials. The pictures above look transitional because of the contrast between the spring colors and the tweed. Keep wearing your boots, your winter coat, your sweater, and your scarves, just transition things like your tie, pocket square, or socks into your spring options.
PS. I am now selling ad space on the site. If you are interesting, please get in touch via the contact page and I can give you a break down of what the space is and its price.
I don’t even want to get the joke.
PS. I am now selling ad space on the site. If you are interesting, please get in touch via the contact page and I can give you a break down of what the space is and its price.
